teamLab:
Infinite Existence
Sep 19, 2026 - Nov 08, 2026, Supper House
Leaping tigers, blossoming flowers, and a medieval city beset by plague. In this latest exhibition, the lines between reality, history and mythology begin to dissolve. In its place, something beautiful and mysterious emerges – an endless realm of infinite existence.
Titled teamLab: Infinite Existence, this solo exhibition marks the first partnership between Singapore-based art platform Supper House and the internationally renowned collective teamLab. Centered around eight unique and dynamic works, the exhibition explores teamLab’s myriad creative inspirations, drawing upon vibrant art histories to conjure visions of limitless beauty.
In particular, the exhibition adopts a curatorial focus on the concept of "Ultrasubjective Space" (chõshukan kūkan 超主観空間), in which the boundaries between the real world and the artwork’s interior space are collapsed, creating a single, seamless reality.
Inspired by compositional techniques found in premodern Japanese narrative scrolls and painted screens, teamLab has embraced “ultrasubjective space” as a way of refiguring the relationship between viewer and artwork, empowering viewers to chart their own movements through the artwork’s space, thus creating an aesthetic experience that is unique to each individual.
Well known for pushing boundaries of contemporary technology, teamLab nevertheless centres the human experience at the core of its practice. Viewers are invited to gaze upon the ebb and flow of midnight waves; to bear witness to the rise and fall of human civilization; to quietly meditate upon the slow passage of deep geological time. In these dark and uncertain times, the artist collective gently encourages us to become active observers of our own universes, uncovering beauty in everyday moments and ordinary scenes.
Presented by Supper House in collaboration with Ikkan Art LLC.
teamLab, Continuous Life and Death at the Now of Eternity II © teamLab. Courtesy Ikkan Art LLC
Darkness Becomes Existence, an Eternal Sea
teamLab, 2025, Digital Work, Single channel, Continuous Loop
The sea gently ebbs and flows in the eternity of time.
The black lines are darkness, or the absence of light. However, the lines drawn by the darkness, which are void of matter or light, appear in front of the white of the sea and continue to flow.
The recognition of existence does not involve the presence of objects or light.
It is born and shaped in relation to its surroundings.
The eternally continuous life and death of flowers connects to the eternal now.
The world of the artwork is in the same flow of time in which we live. It grows brighter with the sunrise of this location and darker with the sunset. And, the flowers repeat the cycle of life and death, slowly changing in accordance with the changing of the seasons.
The real time in which the viewer exists and the time in which the flowers repeat the cycle of life and death are connected to this place and the world of the artwork, continuing and overlapping without being separated.
This pictorial world drawn through Ultrasubjective Space does not split the world of the artwork and the space the viewer is in, with the screen acting as a boundary. The world of the artwork is continuously connected to the space in which the viewer’s body exists, and the viewer, while retaining free bodily movement, walks inside this space where different times intersect in the same place.
The artwork continues to be drawn in real time, and continuously changes eternally, without the previous state being replicated as a whole. The picture at this moment can never be seen again.
The repeated life and death of the flowers in front of our eyes will continue into the future, while remaining connected to the now of this location. When we feel that continuity within the eternal now, we realize that life and death has continued from the past to the present, and that our existence stands upon that continuity.
Continuous Life and Death at the Now of Eternity II
teamLab, 2019, Digital Work, 12 channels, Endless